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VIEWS,
reVIEWS,
preVIEWS
& Announcements |
Publisher:
Kwame Brathwaite
Chief Writer:
Joan Banks
Reporter:
Surya Peterson
Web Editor: Cecil Lee |
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Announcements |
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preVIEWS
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Delaware
With
Spring on the horizon, activities are abound at Riverfront Wilmington.
Here are some events to look forward to in the month of March.......
Delaware Center for the Contemporary Arts, 200 South Madison Street
25 th Anniversary Celebration - March 5, 2004
The Delaware Center for the Contemporary Arts celebrates twenty-five years
in operation with an entire year of free admission for the general public
- thanks to a gift from DuPont. To support the DCCA's milestone year and
the community, the DuPont gift will underwrite admission fees for one full
year. DCCA kicks off the year of free admission with artist
demonstrations, gallery talks and open studios on March 5th.
The celebration includes a yearlong series of programs developed to
correspond with current exhibitions. March 5 th activities lead the series
with science and art-related exhibitions and demonstrations. Science is
most certainly at the core of New York artist Gregory Barsamian's work,
and he will share his interest in three-dimensional animation with school
groups during the day, and with all other visitors during the evening.
Also, DCCA Studio Artist, Mitch Lyons will lead students and visitors
through hands-on demonstrations of clay monoprinting- a technique he
developed over thirty years ago. During the evening visitors may also
create their own take-home art during an encaustic painting demonstration
led by DCCA Studio Artist Jane Quartarone Platz. Artist demonstrations,
studio tours and gallery talks continue throughout the evening from 5 -
8pm.
Three for All - March 5, 2004
From the DCCA's twenty-six resident studio artists, Julio da Cunha, Sallie
Ketcham and Ken Mabrey present Three for All from March 3 - March 28,
2004. This show centers on the concepts of dreamscapes, landscapes and
figurescapes. Meet the artist March 5, from 5-8pm.
Yarns - March 5, 2004
Describing his art as "visual folklore," Washington, DC artist Billy
Colbert creates visual narratives. Colbert creates multi-layered mixed
media works that combine imagery, literature and nature. Colbert is
fascinated with the lives of the African-American community and his
narrative approach has a distinguished history that can be traced back to
the work of artists like Hale Woodruff and Charles White. Yarns runs from
March 5 - April 11, 2004.
Gregory Barsamian - March 5, 2004
In a darkened room, New York artist Gregory Barsamian installs
sequentially formed sculptures, which spins on an armature flash before a
viewer's eyes at a rate of 13 scenes per second. In this exhibition, a
synchronized strobe light illuminates each scene as it passes. An artist
crumples up draft after failed draft and casts them aside. The paper exits
the photo and bounces on the floor where other failed drafts lie. It is a
comment on the complexity and frustration of the creative process. This
exhibition runs from March 5 - June 6, 2004. Meet the artist on March 5,
2004 from
10am - 12pm for school-group tours (call to RSVP for tours) and from 5 -
8pm.
Felise Luchansky: Natural Selections - March 5, 2004
The Member's Gallery at the Delaware Center for Horticulture. In creating
this series, Luchansky used times of repose, discovery, and reflection to
gather her raw materials. Once back in her studio, Luchansky creates
"digital photograms" by placing the found materials directly on a scanner
to produce the original images. She then interprets and enhances each
image pixel by pixel. This show runs from March 5 - April 25 at the DCCA
Members' Gallery - 1810 N. Dupont Street (302.658.6262). Meet the artist
March 5 from 5-8pm at DCH.
Members' Juried Exhibition , February 6 - May 9, 2004
This group show is from DCCA artist members... many of whom live in the
Mid-Atlantic region. The theme for this year's is "Real Life." Open to
broad interpretation, this theme explores the manifestations of
";realism"; in contemporary art as well as artistic responses to everyday
life.
Conversations , February 6 - May 23, 2004
Curated by Barry Nemmett. The intention of this show is to bring together
artists who normally work alone into a conversation or interchange with
other artists. Many of these artists have national and international
reputations.
Current Directions: Studio Art Jewelry, Curator Jan Baum December 5 th -
March 7 th
Andrew Connelly: Presence in Absence through March 7, 2004
Museum Hours : Tuesday, Thursday, Friday, Saturday 10:00 AM - 5:00 PM;
Wednesday 12:00 PM - 8:00 PM; Sunday 1:00 PM - 5:00 PM
Admission : $5 adults; $3 seniors and students with valid ID; members and
children under12 are free.
Call 302.656.6466 or visit
www.thedcca.org for more information.
Bank One Center on the Riverfront, 800 South Madison Street
Delaware Theatre Company Barefoot Ball - Friday, March 19 2004 6pm
- 10pm
Sample the area's finest microbrews, spirits and superior food from the
area's finest brewpubs, restaurants and distributors. Great music from
Hollywood and the Gang ...and there's always the best Silent Auction in
town. TICKETS: $35 in advance or $50 at the door. Tickets are limited.
Order early! All sales are final. Casual attire. Guests must be 21 years
or older to attend. All proceeds benefit the main stage productions and
educational programs of the Delaware Theatre Company. To purchase tickets
or to learn more about the event, call 302.594.1100 or visit
www.delawaretheatre.org.
Fifth Annual Delaware Home and Garden Expo - Saturday March 27, 9am - 5pm
Meet and get tips from Trading Spaces' AMY WYNN PASTOR . This is
Delaware's Largest Home and Garden event. Over 10,000 people attended last
year. There will be dozens of vendors featuring: lawn and landscape
products, home decorating ideas, contractor/home repair, home electronics
and much more. Free antique appraisals will be given on the Home and
Garden stage. Admission and parking are free. Call 302.777.3200 for more
information or visit
www.dehomegarden.com.
* This event is sponsored by Delaware Solid Waste Authority .
For more information on the Bank One Center on the Riverfront or to host
an event at the facility, call 302.777.1200 or visit
www.centerontheriverfront.com.
Delaware Theatre Company, 200 Water Street
Nickel and Dimed - Through March 21, 2004
By Joan Holden and directed by Maria Mileaf.
When Barbara Ehrenreich's book was first released, America was shocked,
appalled and unable to put it down. Nickel and Dimed: On (Not) Getting by
in America was an immediate best seller - everyone wanted to know the true
story of working class people trying to get by on minimum wage. The play
is insightful, passionate and often, surprisingly funny.
Talley's Folly - March 31 - April 18 by Lanford Wilson, Co-Produced with
Virginia Stage
It won a Pulitzer Prize for Drama. But that really isn't so surprising.
After all, it was written by one of America's greatest playwrights,
Lanford Wilson. And the original Broadway show starred Judd Hirsch.
More than 20 years ago, it literally brought audiences out of their seats.
That's why DTC is concluding its 25th season by bringing back one of the
finest plays they've ever produced.
Acting Classes
March 20, 27 amp; 30 - Introduction to Acting for Adults, 9-11am
March 21 amp; 28 - Acting Shakespeare Workshop, 5:30-7:30pm
Call 302.594.1100 or visit
www.delawaretheatre.org for more information or to purchase tickets.
Delaware Art Museum, at the Bank One Center, 800 South Madison Street
Peasants, Princesses and Pirates: Howard Pyle's Birthday Party
March 6 th
10am - 3pm
Celebrate the 151st birthday of Wilmington's beloved artist,
Howard Pyle, at the Delaware Art Museum! This fun-filled day includes
museum tours, treasure hunts through the gallery (claim your loot at the
museum store!), art activities and performances. Listen to storytellers,
sing, eat birthday cake, create a pirate flag, and have your photo taken
on the beach! We look forward to welcoming you to our party! Costumes are
encouraged!
Meet the Artists Series - ";The Jackson Four";
Opening reception, Wednesday, March 10, 2004 at 6pm . Guests are invited
for refreshments at 6:00 PM to meet the juried artist(s). This Meet the
Artist show is a ";family affair";. Three of the Jacksons, mother, Nan,
and two sons, Robert and Daniel, are painters while son, Ned, is known for
his photography.
Glorious Dignity: Drawings of the Montgomery Bus Boycott by Harvey
Dinnerstein and Burton Silverman - Through March 7, 2004
Two exhibitions of 38 drawings from the Delaware Art Museum's permanent
collection of the 1956 Montgomery Bus Boycott.
Jim Patton: Progression in Pencil - January 10 - March 9, 2004
This mini exhibition in the ArtSmart Space features the work of Delaware
Art Museum art student Jim Patton. The exhibition follows the progression
of Patton's technique and skill and demonstrates how art instruction can
improve a student's work. Patton has been studying with studio instructor
Sam Mylin for less than a year.
Rent a Work of Art and You May Want to Keep It Forever
For 28 years, the Art Sales amp; Rental Gallery of the Delaware Art Museum
has provided art collectors, both individual and corporate, the
opportunity to live with a work of art before committing to its purchase.
This rental process has educated young prospective collectors and has
contributed to the formation of many corporate collections in Delaware.
These corporations recognize that the artwork helps project a dynamic and
provocative public image as well as create an enhanced working environment
for its employees.
High quality and original contemporary and traditional artwork is on
consignment from emerging and well-known regional artists. Includes all
original art work, glass, sculpture and paintings. You may rent a work of
art for 10% of the purchase price for a two-month period which may be
extended to four months, if so desired. Rental applies toward purchase. If
more information is needed, call the Gallery at 302-571-9590, Ext. 650
during Museum hours.
Qoro Reproductions
Finest art reproductions, seven Delaware Art Museum images, that are true
to the originals. All reproductions are not affected by moisture or UV
light and come with a century long guarantee against fading. Qorographs
are museum quality pigment jet reproductions that resolve the light and
moisture sensitivity concerns of artists, galleries, museums and
collectors. Reproductions on canvas, which can be purchased as a rolled
canvas, stretched canvas and framed. Each reproduction is a
print-on-demand.
Museum Hours : Tuesday - Friday, 10:00 AM - 4:00 PM; Saturday 10:00 AM -
5:00 PM amp; Sunday 1:00 PM - 5:00 PM
Admission : $7 Adults; $5 seniors; $2.50 students; members and children
under 5 are free. Free on Saturdays, 10:00 AM - 12:00 PM
Call 302.571.9590 or visit
www.delart.org for more information.
Harry Seafood Grill, 101 South Market Street
March Weekly Specials
Monday - Martini amp; Mojito Madness $5.00 all night
Wednesday - Prime Rib Night 12oz. $22.95
Thursday - 1/2 price oyster night @ bar and raw bar 5pm-close
Sunday - Lobster Day - 1lb. lobster w/ 12 clams $19.95
Call 302.777.1500 for reservations.
www.harrysseafoodgrill.com coming soon!!!
Iron Hill Restaurant amp; Brewery, 714 South Madison Street
Sundays - Brunch 11:00 AM - 2:00 PM - Prime Rib Dinner 4:00 PM - 9:00 PM
$11.95
Wednesdays Casey amp; Ryan, Live Irish Music 8pm - 11pm
Thursdays - Live Music
3/4 - Lord Jive, 8pm - 11pm
3/11- Paul Lewis, 8pm - 11pm
3/18 - Speed, 8pm - 11pm
3/25, Paul Lewis, 8pm - 11pm
Hours :
Monday - Saturday 11:30 AM - Close
Sunday Brunch - 11:00 AM - 2:00 PM
Sunday Dinner - 4:00 PM - 10:00PM
Call 302.658.8200 for lunch or brunch reservations or visit
www.ironhillbrewery.com for more information.
Timothy's Restaurant, 930 Pettinaro Park Drive
St. Patty's Day - Wednesday, March 17
Festive Menu and Drink Specials
March Madness Begins, NCAA Men's Basketball First Round -
March 16 - Food and Drink Specials
Happy Hour Buffet , Every Thursday amp; Friday 5PM - 7PM
$.75 off All Drinks
$2.00 Miller Drafts
Call 302.429.7427 for more information or visit
www.timothysrestaurants.com
Kahunaville, 500 South Madison Street
Jam Party , Fourth Sunday of Every Month (March 28) 12:00pm - 3:00pm
Strawberry Shortcake, Spiderman, amp; Brittany Spears, Face Painting amp;
Balloon Twisting
Red Light Night - Red Room - March 6, 2004, 9pm - close
No cover before 9pm with online coupon.
St. Patty's Day Loop - March 13
Start your night at Kahunaville. The only place to party on the Loop!
Other Events:
Classic Car Cruise , Every Sunday 12:00 PM - 5:00 PM
Ladies Night , Every Thursday 7:00 PM - 11:00 PM
Latino Night , Every Thursday at the Red Room
Open Mic, Every Tuesday 9pm - close
Tuner Thursday/Delaware's Divas Competition w/ Latino Magazine,
Every Thursday at the Big Kahuna
Great Local Bands throughout the month of March. Check
www.kahunaville.com for details.
Call 302.571.6200 or visit
www.kahunaville.com for more information.
Riverfront Flowers, 3 South Orange Street, in the Riverfront Market
Spring Fling
Mention this advertisement and get 10% off everything over $20. Great for
your St. Patty's Day arrangements. Starting March 1.
Friday Special
Every Friday, choose any 12 stems (maximum of 3 of any one kind) and
personalize your own bouquet.
Call 302.655.3720 now to place your order or visit
www.riverfrontflowers.com.
Riverfront Market, 1 South Orange Street
Planning a Party? Have it at the Riverfront Market. Call Don Robitzer for
more information at 302-472-7200.
Market vendors include:
Tokyo Sushi - 302.658.6586
Lapp's Rotisserie - 302.654.8688
Philly Chili Fish Company - 302.654.8688
Riverfront Flowers - 302.655.3720
www.riverfrontflowers.com
Riverfront Produce - 302.777.1990
Pamp;S Ravioli - 302.654.6905
Jonas Miller's Butcher and Bake Shop - 302.655.2770
Jeenwong Thai Cuisine - 302.655.5140
Market Hours: Tuesday - Friday, 9:00 AM - 7:00 PM Saturday, 9:00 AM - 6:00
PM
Shipyard Shops, 900 South Madison Street
SALES!!!
Nautica Outlet Storewide Sale!!
Vanity Fair Outlet, Healthtex Kid's Playwear Blowout! Up to 75% off!
Retailers include:
Big Dogs - 302.778.5090
Coldwater Creek Outlet - 302.778.5601
L'eggs Hanes Bali Platex - 302.498.5251
Twenty/20 - 302.658.2020
Blair Catalog Outlet - 302.661.2899
Dress Barn/Dress Barn Woman - 302.654.1779
Lillian Vernon - 302.654.4514
Bon Worth - 302.428.9630
Factory Brand Shoes - 302.652.2791
Nautica - 302.425.0700
VF Factory Outlet (Wrangler, Lee, North Face, etc.) - 302.652.8895
Claire's - 302.652.1608
LL Bean Factory Outlet - 302.777.6713
Totes/Isotoner/Sunglass World - 302.652.8950
U.S. Factory Outlets - 302.777.7943
Molly's Old-Fashion Ice Cream amp; Deli - 302.984.2773
Winter Hours: Jan. - April: Mon - Thurs 10am - 6pm , Fri and Sat 10am
-9pm, and Sun 11am -5pm
Delaware Sports Museum amp; Hall of Fame at Frawley Stadium, 801 South
Madison Street
University of Delaware Division 1-A 2004 Football Championship Exhibit
In Mid-March of 2004, the Delaware Sports Museum and Hall of Fame is
opening an exhibit featuring the University of Delaware Fighting Blue Hens
2004 Division 1-A Football Championship. On display will be the uniforms,
kicking tee, and the helmet of Delaware's First-Team All- American
quarterback, Andy Hall. Also exhibited will be a football signed by every
team member, a gallery of team photos, a video of highlights from the
championship season, as well as an official NCAA game program and much
more. The exhibit will run from mid-March to mid-May. Contact Jon Rafal at
302.325.3263 for more information or to schedule a tour. You may also
contact the museum via email at
dsmhof1@aol.com.
November 1, 2004 - March 31, 2004 open for group tours or by appointment
only. Call 302.425.3263 to schedule a tour.
Wilmington Trolley
Ride the DART First State Wilmington Trolley along the Riverfront from the
Amtrak Station to the Riverfront Market to the Shipyard Shops - and its
only 25 cents per trip
New York
Harlem, NY
Harlem Week: Now thru August 24
This 28th anniversary celebration includes: The Harlem Jazz &
Music Festival, The National Black Sports & Entertainment Hall of Fame,
and a host of events, daily thru August 24.
MAJOR EVENTS SCHEDULE
The P.C.O.G. Gallery presents The Salon Show: 9 Artists
featuring contemporary paintings, photography and mixed media works
Reception for the artists: Friday, March 26, 2004, 6-8 PM
Exhibition Dates: March 26 - April 24, 2004
The artists' work will be exhibited "salon style", giving the illusion of
individual galleries. The contributing artists are well established,
mid-career and emerging.
Laylah Amatullah Barrayn, Akintoye Moses, and Carrie Mae Weems will
exhibit their photography work; paintings and mixed media works by Miles
Bumbray, Clymenza Hawkins, Joshua Isaac, and Orlonda Uffre; works on paper
by TAIJAY and Nyame Brown.
P.C.O.G. Gallery
1902 Adam Clayton Powell, Jr. Blvd.
(7th
Ave. bet. 115th & 116th Streets)
New York, NY 10026
phone. 212.932.9669
Gallery Hours: Tues. - Sat. 12N - 7:00 PM
2, 3, 6, C, B Trains to 116th
Medgar Evers College will
host the 7th Annual National Black Writers Conference, March
25-27, 2004 a symposium and tribute to The Life and Work of John Oliver
Killens.
Inspired by the late John Oliver Killens and funded by the National
Endowment for the Humanities, this conference was initially convened over
a period of four days to bring together writers, critics, book-sellers,
book reviewers, and the general public in order to establish a dialogue on
the social responsibility of the black writer. Since 1986, subsequent
conferences (1988, 1991, 1996, & 2000) have expanded this conversation to
include discussions on stereotypes in black literature, the direction of
black literature, the renaissance in black literature, and the impact of
black literature on society. Each conference has built on the previous
one, attracting a national and international audience. Lang Publisher
published the proceedings of 1996 conference in 1998 in both hard cover
and soft cover. The most recent conference attracted about 2500 people,
and received widespread media coverage in newspapers and journals across
the country including the Washington Post, The New York Times (two
articles, one the lead article in the Arts section) The Chicago Tribune,
USA Today and The Atlanta Journal. Black Entertainment Television, C-Span
and CNN taped it.
For more information, please contact Dr. Brenda Greene at (718) 270-6976
or via email at
bgreene@mec.cuny
The Center for Black Literature @ Medgar
Evers College
Noted Scholar, Keith Gilyard, to
Discuss the Work of Author, John Oliver Killens Brooklyn, New York--On
Tuesday, February 17, 2004, at 6:00 p.m., The Center for Black Literature
at Medgar Evers College will sponsor a book signing and discussion for
Keith Gilyard, author of Liberation Memories: the Rhetoric and Art of John
Oliver Killens (Wayne State University Press, 2003). This discussion is a
pre-conference activity for the Seventh Annual National Black Writers
Conference: A Tribute to and Symposium on John Oliver Killens (Culture and
Politics of Black Literature). Using a holistic approach that evaluates
John
Oliver Killens, the man, writer, teacher, activist, and organizer, Gilyard
gives us a comprehensive portrait of an important writer and literary
artist work from the perspective of Killens' vision, rhetorical form, and
use of the vernacular.
John Oliver Killens was a two time nominee for the Pulitzer Prize and
founding chairman of the legendary Harlem Writers Guild. Regarded by many
as a spiritual father who inspired a generation of African American
novelists, he believed that the black writer had a responsibility to his
craft and to his community; hence, he organized writers' conferences from
1965-1986 which addressed issues such as the social responsibility of the
writer and the portrayal of blacks in literature. In addition, he produced
a great body of work reflecting his commitment to art and to the portrayal
of black people in positive ways. His novels include Youngblood (1954),
Sippi (1967), And Then We Heard the Thunder (1962) and The Cotillion
(1971). The core of his work as an essayist can be found in Black Man's
Burden (1965). His work also reflects a call for a literature of Black
heroes, myths, and legends and can be found in texts such as Slaves (1969)
Great Gittin' Up Morning (1972), A Man Ain't Nothing But a Man: The
Adventures of John Henry (1975) and the posthumously published Great Black
Russian: A Novel on the Life and Times of Alexander Puskin ( 1989).
Keith Gilyard is a professor of English at Pennsylvania State University.
He has published poems, essays, and reviews in numerous outlets including
African American Review, American Literary History, Essence, Before
Columbus Review, and College English. His previous books include the
education memoir, Voices of the Self: A Study of Language Competence,
Let's Flip the Script: An African American Discourse on Language,
Literature, and Learning, the poetry volumes American 40 and Poemographics.
He is also the editor of the acclaimed Spirit and Flame: An Anthology of
Contemporary African American Poetry.
The Center for Black Literature at Medgar Evers College will host the
Seventh Annual National Black Writers Conference: A Tribute to and
Symposium on John Oliver Killens from March 25-27, 2004. For further
information, call the NBWC hotline at (718) 270-4811 or email,
LvelascoMedia@mec.cuny.edu
Georgia
The Art of Leo Twiggs
at the
Georgia Museum
of Art
January 30-March 28, 2004
ATHENS, GA- Myths and Metaphors: The Art
of Leo Twiggs, will be on view at the Georgia Museum of Art January 30
through March 28, 2004.
This exhibition of the work of Leo Twiggs, accomplished artist, educator
and art administrator, brings a compelling body of work to the Georgia
Museum of Art. The batik paintings on view are a testament to Twiggs’s
life experiences and are driven by powerful beliefs and unwavering
opinions regarding the world around him.
Twiggs, a native of St. Stephen, South Carolina, received his degree in
art from Claflin University and was the first African American to receive
an Ed.D. in art education from the University of Georgia. Since 1964,
Twiggs has been at South Carolina State University where he has served as
chair of the art department and Director of the I.P. Stanback Museum and
Planetarium. In 1998, Twiggs retired from teaching and now devotes himself
to his studio work. In 1981, he was the first visual artist to receive the
South Carolina Governor’s Trophy known as the Elizabeth O’Neil Verner
Individual Award. In 2001, he was asked by First Lady Laura Bush to design
an ornament for the White House Christmas tree.
Leo Twiggs has developed many themes over the course of his career as an
artist. These inherent ideas and beliefs are clearly, though often subtly
revealed in his chosen medium, batik painting. The batik process, an
Indonesian method of hand-printing textiles by wax coating the parts not
to be dyed, is an essential element of his work. His use of the process
results in the suggestion of aging artifacts preserved from a time long
passed. Among his persistant themes are familial ties and the perseverance
of man in the face of adversity. The music and poetry that have arisen
from America’s black heritage are also important aspects of his work.
Hurricane Hugo, which led to destruction in the low country of South
Carolina, inspired a series of his images.
The catalogue will include a preface and introduction by William U. Eiland,
director of the Georgia Museum of Art, and essays by Frank Martin of South
Carolina State University and Marilyn Laufer, guest curator for this
exhibition. The retrospective will travel to the Gibbes Museum of Art and
the Greenville Museum of Art in South Carolina, among other venues.
Perhaps the most difficult and compelling theme he has contemplated is the
meaning of commemoration in the form of the Confederate battle flag. His
approach suggests a very intense desire to contradict the traditional
authority of this symbol. His flags and other commemorative images are
evidence that he has transformed this emblem and made it his own, through
personal legacy and attrition. Twiggs is reclaiming his heritage as an
African American and southerner through these flag images. The worn and
tattered representations of the flag, almost disintegrating before the
viewer, reveal a strong sense of shared history and unresolved conflict.
The complexities and richness of this artist’s work provide visually
compelling images that include thought-provoking challenges, as meaning
and substance are both considered.
Visit our website at
www.uga.edu/gamuseum or call
706.542.GMOA (4662).
Contacts: Michele Stancil,
media relations coordinator,
mnpower@uga.edu
Bonnie Ramsey, director of communications, buramsey@uga.edu
Museum
Information:
Partial support for the
exhibitions and programs at the Georgia Museum of Art is provided by the
Georgia Council for the Arts through appropriations of the Georgia General
Assembly. The Council is a partner agency of the National Endowment for
the Arts. Individuals, foundations and corporations provide additional
museum support through their gifts to the University of Georgia
Foundation. The Georgia Museum of Art is located in the Performing and
Visual Arts Complex on the East Campus of the University of Georgia. The
address is 90 Carlton Street, University of Georgia, Athens, Georgia,
30602. Hours: Tuesday, Thursday, Friday and Saturday from 10 a.m. until 5
p.m., Wednesday from 10 a.m. until 9 p.m., Sunday from 1 p.m. until 5 p.m.
and closed Mondays. Museum Shop Hours: Tuesday through Saturday from 10
a.m. until 4:45 p.m., Sunday from 1 p.m. until 4:45 p.m. and Wednesday
from 10 a.m. until 8:45 p.m.
Orlando,
Florida
The Four Fine Art Exhibition
Hugeaux, Marsha Hatcher, Rootman, and Aaron Mervin
VIP reception of the Second Annual Onyx Awards.
The reception is scheduled for 6:30, Saturday,
April 17, 2004 at the
Rosen Plaza Hotel on International Drive in Orlando, Florida
Confirmation Contact: Editor Lillian Seays.
info@onyxmagazine.com
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NCA Helps Form New York
Arts Business School New York
Arts Business School
The National Conference of Artists (NCA), the nation’s oldest continually
functioning Black arts organization, along with a coalition of community
based groups, parents, teachers and students, have
formed
a new high school in New York to teach the arts and the business of the
arts. In October of 2002, Gwen Anderson,
a retired Assistant Principle,
in response to a request for proposals for Brooklyn New Century Schools,
decided to put together a team
of educators and artists to create a new school as part of the Brooklyn
High Schools Small Schools Initiative for a New Visions Grant.
The
International Arts Business School, a Brooklyn New Century High School,
is one of nine new schools created in the borough funded by The Bill and
Milinda Gates Foundation, The Carnegie Corporation of New York, and the
Open Society Institute, with matching funds from the New York City
Department of Education. The schools are a part of a five-year $30 million
program managed by New Visions for Public Schools.
Ms
Anderson a/k/a
Aduke Aremu, teamed with,
teamed with Kwame Brathwaite, NCA president, Ana Walker of the
Caribbean American Chamber of Commerce and Industry, Ken Rothchild,
Associate Artistic Director and Director of Education Programs for the
Irondale Ensemble Project, parents representative Donna Ottey, student
rep Miriam Marin, teachers Joan Mathis, Kenthedo Robinson and Tom
Mitchelson, and Kimberly Lane, Director of Educators for Children,
Youth, and Families (ECYF)- a Brooklyn-based not-for-profit CBO that
specializes in family and youth empowerment programs, which serves as
the lead collaborating partner. The school will be located in
Brooklyn, the largest of the five boroughs of New York. |
 |
Anderson is an educator with 25 years experience
in the New York City Department of Education system. Three years ago she
was the founder of a performing arts school in the South Bronx. She is
also a playwright, arts organization administrator, a renowned writer and
producer of children’s books and plays. Gwen was also the Executive
Director of the Harlem Children’s Educational Theater for over 20 years,
and is presently the CEO of New Dove Productions Inc., a not-for-profit
education and arts organization for young adults and children.
New York City is the center of arts and culture for the
United States and one of the major cultural centers of the world. In
recognition of this and the capacity of the arts to reach students through
multiple teaching processes, the Department of Education is creating an
expanding number of high schools focused on the study of culture and the
arts.
Brathwaite, who
has long advocated teaming the teaching of the business knowledge with the
arts, was excited about the idea of a school focused on the business
of making art and culture. Such training can lead to higher education and
career opportunities, while at the same time serve as the basis of a
rigorous course of academic study in 9-12 education. Most “instruments of
business” (marketing plans, publicity campaigns, business plans,
merchandising concepts, etc.) utilize aspects of all major curricular
areas, and all basic skills will be taught with this thematic approach
integrated throughout the course of studies.
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Arts, the arts and cultural industry is the largest in
NYC, grossing over $14 billion dollars each year. It accounts for
greater public attendance and income than all of the city’s
professional sports teams and other recreational activities combined.
In 2001, the New York City's nonprofit cultural sector generated
54,000 jobs. Approximately 20,000 jobs are provided directly by
nonprofit cultural organizations. A school created to teach the
business of art will serve the youth population of Brooklyn not
only by providing an entry point into the arts industry, but also by
providing a universally applicable framework for success in life and
enterprise.
The mission of the
International Arts Business School is to create independent,
self-reliant learners through a thematic, interdisciplinary curriculum
focusing on the business of arts and culture. The academic program of
our students will allow them to not only survive, but thrive, in the
fast-changing economy of the future. IABS and its staff hold the
following beliefs, and related goals: |
 | in order to be successful in life, students must know
how to engage and negotiate the cultured global economy, of today and
tomorrow. Therefore the school will develop in students the ability to
master the business of arts and culture; |
 | that students learn best by doing, through
experiential learning activities and teaching methodologies. Therefore
IABS will utilize experiential learning methodologies as much as
possible, primarily project-based units of study. |
 | They believe that thematic and integrated learning
experiences directly connect students to their learning. Therefore our
school will provide real-life experience, through collaboration with
cultural and business partners, which relate to actual activities or
mechanisms used by artists and business people in the production of
cultural products. |
 | IABS believes that students learn best when nurtured
in an atmosphere of trust, caring, support, and challenge. Therefore our
school students and faculty will compose a community of learners.
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The International Arts Business School will open with
the first 125 students, the initial ninth grade class, and each year an
additional grade will be added until a full compliment of 500 students
will comprise their school, that will be shared with another New Visions
school. Up until last June, the building, Wingate High School, housed
approximately 5,000 students with a promotion rate of less that 25%.
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Two books entitled Onobrakpeya by Dr. Richard
Singletary and Bruce Onobrakpeya: Portfolio of Art and Literature by
Bruce Onobrakpeya launched on August 3 at the Nimbus Art Centre
Maitama Sule Street South West Ikoyi, Lagos.
The launching ceremonies were accompanied by a weeklong exhibition of
paintings, prints and installations created by Bruce Onobrakpeya at the
same venue, most of which were produced in the last twelve years based
mainly on
environmental themes. The books were produced with the kind support of the
Ford Foundation-Office For West Africa.
Dr. Richard Singletary is a distinguished American Scholar and Professor
of African Art. His book, published in the United States of America in
2002, is a dissertation on the works of Prof. Bruce Onobrakpeya as a case
study to
illustrate the inventiveness of contemporary African art. The author who
has a Doctorate of Philosophy degree from Virginia Commonwealth University
in Richmond, Virginia USA brings to prominence the ethnic, national and
international, and modernistic impulses in Onobrakpeya’s works.
The second book entitled Bruce Onobrakpeya: Portfolio of Art and
Literature on the other hand is a compendium of pictures and extracts of
literary works by Bruce Onobrakpeya. The artworks in the portfolio are
illustrations or
visual interpretations of poems, short stories and folk songs by various
African authors mainly of Nigerian descent, as well as some of the
writings and translations of the artist himself. These illustrations are
an important
way of reaching a wider audienc e through portfolio sets that can be
circulated like books, but have the added advantage of having detachable
contents that can be taken out of the case and exhibited on walls like
free
standing pictures especially for use for art collectors, museums and
libraries all around the world.
Art collectors, bibliophiles, the reading public including children will
find the compendium educational and entertaining, and more importantly, an
indispensable pictorial and visual representation of works of literary
giants like Wole Soyinka, Chinua Achebe, Cyprian Ekwensi and Tanure Ojaide
who are a few of the writers, whose works have been very successfully
illustrated by the artist Prof. Bruce Onobrakpeya. The portfolio of Art
and Literature has a limited edition of just 75 copies, and covers a
period of works done by the artist from 1960 to date.
Dr. Richard Singletary author of the book Onobrakpeya, first visited
Africa in 1964 as a Peace Corp member, to Liberia. He has since visited
West Africa several times especially for his research work. He clearly is
a multi
facetted person, given his diverse interests, amongst others he is the
initiator of the hugely successful Richard Singletary Gallery of African
Art, home to works of African antiques and the noted American artist
Charles Sibley in Norfolk Virginia. He was also one of the Guest
Presenters and Speakers at the International symposium Smithsonian
National Musuem of African Art: Nigerian Contemporary Art with reference
to the Nsukka Group of Artists in 1997. He began to study the art of West
Africa and that of Delta and other surrounding areas of Nigeria in 1994.
He received a Master of Music degree from Norfolk State University, and
another Master of Arts degree from Old Dominion University. A Bachelor of
Teaching degree in art and performance from Winston-Salem State
University, and a Bachelor in Art History at the University of New Mexico
in Albuquerque. He is a recipient of the Commonwealth Graduate Fellowship
and Bernice Gordon Art History Fellowship in 1997 and 1998 respectively.
He has also studied French at the French School at Middlebury, Vermont,
and French, German, Italian, Russian, Chinese and Japanese at Old Dominion
Universities, Norfolk, Virginia.
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